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RC Passage

Direction for the questions 1 to 5: The passage below is accompanied by a set of five questions. Choose the best answer to each question.

The passage below is accompanied by a set of questions. Choose the best answer to each question. Mode of transportation affects the travel experience and thus can produce new types of travel writing and perhaps even new “identities.”

Modes of transportation determine the types and duration of social encounters; affect the organization and passage of space and time; ... and also affect perception and knowledge—how and what the traveler comes to know and write about. The completion of the first U.S. transcontinental highway during the 1920s . . . for example, inaugurated a new genre of travel literature about the United States— the automotive or road narrative. Such narratives highlight the experiences of mostly male protagonists “discovering themselves” on their journeys, emphasizing the independence of road travel and the value of rural folk traditions.

Travel writing’s relationship to empire building— as a type of “colonialist discourse”—has drawn the most attention from academicians.

Close connections have been observed between European (and American) political, economic, and administrative goals for the colonies and their manifestations in the cultural practice of writing travel books. Travel writers’ descriptions of foreign places have been analyzed as attempts to validate, promote, or challenge the ideologies and practices of colonial or imperial domination and expansion. Mary Louise Pratt’s study of the genres and conventions of 18th- and 19th-century exploration narratives about South America and Africa (e.g., the “monarch of all I survey” trope) offered ways of thinking about travel writing as embedded within relations of power between metropole and periphery, as did Edward Said’s theories of representation and cultural imperialism. Particularly Said’s book, Orientalism, helped scholars understand ways in which representations of people in travel texts were intimately bound up with notions of self, in this case, that the Occident defined itself through essentialist, ethnocentric, and racist representations of the Orient. Said’s work became a model for demonstrating cultural forms of imperialism in travel texts, showing how the political, economic, or administrative fact of dominance relies on legitimating discourses such as those articulated through travel writing. . . .

Feminist geographers’ studies of travel writing challenge the masculinist history of geography by questioning who and what are relevant subjects of geographic study and, indeed, what counts as geographic knowledge itself. Such questions are worked through ideological constructs that posit men as explorers and women as travelers—or, conversely, men as travelers and women as tied to the home. Studies of Victorian women who were professional travel writers, tourists, wives of colonial administrators, and other (mostly) elite women who wrote narratives about their experiences abroad during the 19th century have been particularly revealing. From a “liberal” feminist perspective, travel presented one means toward female liberation for middle- and upper-class Victorian women. Many studies from the 1970s onward demonstrated the ways in which women’s gendered identities were negotiated differently “at home” than they were “away,” thereby showing women’s self-development through travel. The more recent post structural turn in studies of Victorian travel writing has focused attention on women’s diverse and fragmented identities as they narrated their travel experiences, emphasizing women’s sense of themselves as women in new locations, but only as they worked through their ties to nation, class, whiteness, and colonial and imperial power structures

RC Line-wise Explanation

Paragraph 1

"Mode of transportation affects the travel experience and thus can produce new types of travel writing and perhaps even new 'identities.'"

Explanation: The way people travel (car, train, foot, etc.) shapes their experiences and can lead to new forms of travel literature and self-perception.

"Modes of transportation determine the types and duration of social encounters; affect the organization and passage of space and time; ... and also affect perception and knowledge—how and what the traveler comes to know and write about."

Explanation: Transportation influences who travelers meet, how they experience time and space, and even the knowledge they gain and express in their writings.

"The completion of the first U.S. transcontinental highway during the 1920s . . . for example, inaugurated a new genre of travel literature about the United States— the automotive or road narrative."

Explanation: The 1920s highway led to the rise of road trip stories as a new genre of American travel writing.

"Such narratives highlight the experiences of mostly male protagonists 'discovering themselves' on their journeys, emphasizing the independence of road travel and the value of rural folk traditions."

Explanation: These stories often focus on men finding themselves while traveling by car, celebrating freedom and traditional rural values.


Paragraph 2

"Travel writing’s relationship to empire building— as a type of 'colonialist discourse'—has drawn the most attention from academicians."

Explanation: Scholars are especially interested in how travel writing supported or reflected colonial ambitions.

"Close connections have been observed between European (and American) political, economic, and administrative goals for the colonies and their manifestations in the cultural practice of writing travel books."

Explanation: Travel writing often mirrored or promoted colonial goals, showing cultural alignment with imperialism.

"Travel writers’ descriptions of foreign places have been analyzed as attempts to validate, promote, or challenge the ideologies and practices of colonial or imperial domination and expansion."

Explanation: Researchers study travel descriptions as ways of supporting or questioning colonial rule.

"Mary Louise Pratt’s study of the genres and conventions of 18th- and 19th-century exploration narratives about South America and Africa (e.g., the 'monarch of all I survey' trope) offered ways of thinking about travel writing as embedded within relations of power between metropole and periphery, as did Edward Said’s theories of representation and cultural imperialism."

Explanation: Pratt and Said showed how travel writing reveals power dynamics between the imperial center and its colonies through specific literary styles and stereotypes.

"Particularly Said’s book, Orientalism, helped scholars understand ways in which representations of people in travel texts were intimately bound up with notions of self, in this case, that the Occident defined itself through essentialist, ethnocentric, and racist representations of the Orient."

Explanation: Said’s Orientalism argued that Western identity was built through biased and stereotypical portrayals of Eastern people.

"Said’s work became a model for demonstrating cultural forms of imperialism in travel texts, showing how the political, economic, or administrative fact of dominance relies on legitimating discourses such as those articulated through travel writing."

Explanation: His work revealed that cultural domination often supports political power, using writing as a tool to justify imperial rule.


Paragraph 3

"Feminist geographers’ studies of travel writing challenge the masculinist history of geography by questioning who and what are relevant subjects of geographic study and, indeed, what counts as geographic knowledge itself."

Explanation: Feminist scholars critique traditional geography for focusing mainly on men and redefining what and who should be considered in geographic studies.

"Such questions are worked through ideological constructs that posit men as explorers and women as travelers—or, conversely, men as travelers and women as tied to the home."

Explanation: These debates involve stereotypes: men are seen as adventurers, while women are portrayed as domestic or passive.

"Studies of Victorian women who were professional travel writers, tourists, wives of colonial administrators, and other (mostly) elite women who wrote narratives about their experiences abroad during the 19th century have been particularly revealing."

Explanation: Research into 19th-century upper-class women who traveled and wrote about it offers valuable insights.

"From a 'liberal' feminist perspective, travel presented one means toward female liberation for middle- and upper-class Victorian women."

Explanation: Some feminists see travel as a way these women broke free from traditional roles.

"Many studies from the 1970s onward demonstrated the ways in which women’s gendered identities were negotiated differently 'at home' than they were 'away,' thereby showing women’s self-development through travel."

Explanation: These studies show that women often experienced and expressed their identities differently while traveling versus when at home.

"The more recent post structural turn in studies of Victorian travel writing has focused attention on women’s diverse and fragmented identities as they narrated their travel experiences, emphasizing women’s sense of themselves as women in new locations, but only as they worked through their ties to nation, class, whiteness, and colonial and imperial power structures."

Explanation: Newer research explores how women’s identities were shaped by complex influences like race, class, nationality, and colonialism while they traveled.


RC Paragraph Explanation

Paragraph 1 Summary

Transportation methods shape not only how people travel but also how they perceive, experience, and write about travel. The rise of car travel in the 1920s led to a new genre—the road narrative—typically portraying male self-discovery and independence.


Paragraph 2 Summary

Travel writing has deep ties to colonialism. Scholars like Pratt and Said have shown how these texts reflect imperial ideologies and power, with Western identity often formed through stereotypical representations of non-Western cultures.


Paragraph 3 Summary

Feminist scholars have challenged male-dominated perspectives in geography and travel writing. Studies of Victorian women travelers reveal how travel enabled women’s self-exploration and identity formation, shaped by broader structures of class, race, and empire.

RC Quick Table Summary
Paragraph NumberMain Idea
Paragraph 1Transportation influences travel experiences and gives rise to new genres and identities.
Paragraph 2Travel writing often reflects and supports colonial ideologies and power.
Paragraph 3Feminist geography rethinks travel writing by highlighting women's roles and identity formation through travel.

RC Questions

Ques 1. From the passage, we can infer that feminist scholars’ understanding of the experiences of Victorian women travellers is influenced by all of the following EXCEPT scholars':

Correct Answer: (B) Detailed explanation by Wordpandit: In evaluating what shaped feminist scholars' perspectives on Victorian women's travel experiences, several key elements emerge. Primarily, these scholars aimed to confront the traditionally male-centric narrative in geography by redefining two critical things: first, what or who qualifies as a legitimate subject of geographical inquiry; and second, what constitutes geographical knowledge itself. Their scrutiny of the role of women in Victorian-era travel writings empowered them to introduce fresh viewpoints and, consequently, fulfill these redefined objectives [Option C]. This re-evaluation came with a nuanced understanding of how gender roles were portrayed. The writings from the period showcased a spectrum of perspectives that were intrinsically shaped by the gendered identities of the women involved. This clearly suggested that these experiences were influenced by existing gender inequities [Option A]. Furthermore, there was an additional layer of scrutiny concerning how travel had the capacity to transform a woman's gender identity. These insights added more dimensions to the feminist scholars' comprehension of Victorian women's travel experiences [Option D]. Conspicuously missing from the discussion, however, is the factor of 'class' tensions. There's no indication that class played a significant role in shaping feminist scholars' viewpoints on this particular subject [Option B]. Therefore, Option B stands out as the correct answer, as it doesn't appear to have influenced scholars' understanding in the manner described in the original text.

Ques 2. American travel literature of the 1920s:

Correct Answer: (D) Detailed explanation by Wordpandit: To identify the characteristics of American travel literature from the 1920s, we can focus on the specific excerpt that mentions the completion of the first U.S. transcontinental highway during that era. This event gave birth to a new category of travel literature known as the automotive or road narrative. These narratives typically center on the adventures of male protagonists who embark on road journeys for self-discovery, emphasizing the freedom and autonomy that comes with such travel, as well as valuing rural folk traditions. Option A discusses the "participation in local traditions," which is not explicitly mentioned or implied in the source text. Hence, it doesn't capture the essence of the literary genre in question. Option B incorrectly distorts the subject by referring to the "desire for independence." The actual text focuses on male protagonists "discovering themselves" during these journeys and emphasizes the independence afforded by road travel, not necessarily a 'desire' for it. Option C is completely off the mark as it is not discussed or even hinted at in the original passage. Option D, however, accurately encapsulates the features of the travel literature of the 1920s. It brings up how the advent of transcontinental highways set the stage for narratives that underscore the notion of individual freedom and independence during road journeys, which aligns perfectly with the original text's point about "emphasizing the independence." Therefore, when evaluated against the original passage, Option D serves as the most fitting description of the characteristics of American travel literature from the 1920s.

Ques 3. From the passage, it can be inferred that scholars argue that Victorian women experienced self-development through their travels because:

Correct Answer: (D) Detailed explanation by Wordpandit: To determine why scholars believe that Victorian women experienced self-development through their travels, we need to scrutinize a specific part of the original text. This segment states that scholarly research from the 1970s onwards has shown that women's gendered identities underwent different negotiations when they were "away" compared to when they were "at home." In other words, travel allowed for a reconfiguration or transformation of these women's identities, leading to their self-development. Option D accurately captures this notion by suggesting that travel provided a setting for the renegotiation of women's gendered identities, which in turn facilitated their self-development. This option aligns closely with the original text's emphasis on the transformative power of travel in women's lives, thereby serving as the most appropriate choice among the given options. Options A, B, and C, on the other hand, don't address the core reason behind women's self-development through travel as discussed in the original passage. They either make incorrect statements or present inferences that are not supported by the text. Therefore, when weighed against the original text, Option D emerges as the closest reflection of the scholars' views on why Victorian women experienced self-development through their travels.

Ques 4. According to the passage, Said’s book, “Orientalism”:

Correct Answer: (D) Detailed explanation by Wordpandit: In order to understand the impact of Edward Said's work on the study of travel literature, we must look closely at a particular section of the original text. This part clearly states that Said's work served as a foundational model for illustrating the concept of "cultural imperialism" in travel writings. Specifically, Said demonstrated how these writings were used to legitimate various forms of dominance, whether they were political, economic, or administrative, by embedding them within discursive frameworks. Option B is the most accurate representation of this aspect, as it captures the essence of how Said's work has helped scholars understand the ways in which cultural imperialism was conveyed and legitimized through travel literature. In essence, this option correctly identifies that Said's work illustrated how travel texts served as legitimizing discourses for various forms of dominance. Options A, B, and C either stray from this core idea or offer distorted interpretations that don't align with the information presented in the original text. Therefore, after carefully examining the original text and the given options, it becomes clear that Option B. is the most accurate in reflecting the contribution of Edward Said's work to the field of travel literature studies.

Ques 5. From the passage, we can infer that travel writing is most similar to:

Correct Answer: (C) Detailed explanation by Wordpandit: In determining the genre that is most closely related to travel writing, it's crucial to understand the essence of what travel writing encapsulates. By its very nature, travel writing is largely concerned with sharing individual travel experiences and offering a personalized lens through which to view the world. Given these characteristics, the genre that most closely mirrors travel writing is autobiographical writing, as indicated in Option C. Other genres like political journalism and feminist writing can be promptly disregarded as they don't align closely with the personal and experiential focus of travel writing. Additionally, linking travel literature to historical fiction would also be a misplaced comparison, because historical fiction doesn't necessarily concentrate on individual lived experiences or a personal worldview in the way that travel writing does. Thus, upon a detailed examination of the genres listed in the options, it becomes abundantly clear that autobiographical writing is the genre that most closely resembles travel writing, substantiating the correctness of Option C.

Actual CAT VA-RC 2020 Slot 3: Question-wise Index

Reading ComprehensionWords from the Passage
RC Passage 1 (Q 1 to 5) Must-Learn Words (Passage 1)
RC Passage 2 (Q 6 to 9) Must-Learn Words (Passage 2)
RC Passage 3 (Q 10 to 14) Must-Learn Words (Passage 3)
RC Passage 4 (Q 15 to 18) Must-Learn Words (Passage 4)
Verbal Ability
Ques 19 (Para-jumble) Ques 20 (Para-jumble)
Ques 21 (Misfit/Odd one out) Ques 22 (Misfit/Odd one out)
Ques 23 (Paragraph Summary) Ques 24 (Paragraph Summary)
Ques 25 (Paragraph Summary) Ques 26 (Para-jumble)
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